Thomas Goss

Hi everyone! Around this current job I'm doing for my Pasifika choir superstars, I've been noodling around with differen...

I've been reorganising my time, and trying to find opportune moments in which to catch up with certain long-delayed vide...

The range of seamless unison doubling of flutes and piccolos is a narrow one, and should be carefully scored. A very sho...

After the sheer magnificence of Carmina Burana's opening, and the mysterious chanting that emerged and refined over the...

Jumping onto the tail end of O Fortuna, Orff's immediate followup personalises the burdens of fate; with the poet tellin...

We'll be joined tomorrow by her majesty Hecuba, queen of Troy in the next Carmina Burana score analysis video - a little...

Scoring horns in bass clef can be helpful to the player, as long as the orchestrator remembers to use new notation, avoi...

(Filed under Diary of an Orchestrator, due to its personal/career perspectives.)Note: this post is shared purely in the...

At last, the first official score analysis video has dropped - a detailed, in-depth look at Carl Orff's most iconic song...

Despite much conflicting advice on the topic, oboe and clarinet can blend quite effectively in unison - but the combinat...

Yeah, so to continue on a little from my last post...I started getting sick again as I was wrapping up the editing from...

...regarding the question that was asked by Daniel McGinley in the Facebook group last week (as the meme posted above)....

Yay! We made it to 70K subscribers! Which means that I can now officially launch my latest score analysis series on Carl...

Hi again! Check my last post for details. Two posts in production will be delayed a couple weeks while I grieve lost fam...

Hi everyone. Sorry about this. As most of you know, I lost two family members this month. I had two posts in production...